K-Pop group, CRAVITY, have released their first English digital single, “Boogie Woogie”. Representing the new generation of K-Pop meets Pop, this summer hit is a pre-release off their upcoming 4th Mini Album [NEW WAVE], being released in September. CRAVITY is set to mesmerize their global listeners with the release of “Boogie Woogie”. This is ahead of their KCON Los Angeles performance on August 20th, and 6-city KCON 2022 US TOUR to follow.
“Boogie Woogie” is a song that is very bright and full of positive energy so we had lots of fun preparing for its release. We’re super excited to be able to show it off to the whole world, and can’t wait to see our fans and listeners “boogie” along to it.
Allen
It’s our first full English-language song and I’m so excited about it! Having an English track has always been on my bucket list, so I am beyond happy now. We, as a team, will keep trying our best to make our dreams come true.
Jungmo
With just 2 years under their belt, CRAVITY visited New York and Chicago for their first trip to the states as a group in May. In Chicago they performed at KCON Premiere, which was their first time performing to a live audience outside of Korea. The hysteria continued in New York; with their Global Spin performance in partnership with Grammy.com/Recording Academy, Rolling Stone Twitch stream, Good Day New York performance, and more. 2022 has been full of firsts for CRAVITY, as they infiltrated London’s Wembley arena with their fiery performance at HallyuPopFest last month.
From Starship, the same label who brought us Monsta X; CRAVITY is positioned to be the next biggest thing coming out of Korea.
STREAM THE DIGITAL SINGLE HERE
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CRAVITY’s debut album, released in April 2020, SEASON1. [HIDEOUT: REMEMBER WHO WE ARE] caused a wave of intrigue and excitement here in the states, with mentions in PAPER Magazine, Access, iHeart, J-14, MTV News, Earmilk, Teen Vogue, and Rolling Stone who referred to their title track as “An anthemic track from the K-pop rookies that combines 808-style riffs with the melodic sensibilities of early-2000s boybands (extended dance break included).”
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